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© Stephen Thomas Erlewine /TiVo More info Lightweight songwriting also suggests that Luscious Jackson may be running out of ideas, and it's hard to shake the impression that no matter how enjoyable certain parts of Electric Honey are, it finds the band treading water, not breaking new ground. Instead, the entire album is variations on a groove - breezy and enjoyable, to be sure, but nevertheless a little too lightweight to really take hold. The fluffiness of the songs wouldn't matter if each song had its own distinct feel. Space Diva LUSCIOUS JACKSON - Electric Honey - 1998, Capitol: 2 Cent KOBAYASHI - Strange Lights And Resolution - 2005, Bongo Beat Records: Ol The FUNKEES - Point of No Return - 1974, Amba: Gypsy (instrumental) The SUBJAZZ PROXY feat. luscious jackson - electric honey - 13 - space diva. After that opening, Electric Honey doesn't begin to unravel as much as it settles into its own mire, recycling sounds familiar from its two predecessors, while offering slight songs about "Summer Daze," "Sexy Hypnotist"s, "Friends," "Alien Lover"s, and "Space Diva"s. Luscious Jackson is an American alternative rock group formed in 1991 in New York City, New York.
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On the surface, or as background music, it's quite pleasing, but it's never really compelling, especially since many of the songs are never really about anything - which is especially frustrating since the opening pair of "Nervous Breakthrough" and "Ladyfingers" are terrific continuations of Fever In. Somewhere along the way, Luscious Jackson smoothed out all their quirks and grit, shaping their sound into an appealingly funky, multilayered, post-alternative pop groove. He co-produced Fly and Space Diva with Musa Bailey, credited as 25 TON, and also co-produced Aww Turn It Up on the latest album Magic Hour. This isn't necessarily a bad thing, since their albums always had strong rhythm, but Electric Honey tends to float away. He began DJing in England in 1989, and has been a collaborator with Luscious Jackson since 1994. Reversing course from the kaleidoscopic pop of Fever in Fever Out, Electric Honey finds Luscious Jackson narrowing their focus, concentrating more on groove and texture than full-fledged songs.
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the phrasing and melody were basically best guesses.Purchase and download this album in a wide variety of formats depending on your needs. We had to record our own vocals on it for demo purposes, and that's what you'll hear if you listen to the "original" track here.
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Weirder still was the fact that we couldn't find a full recording of the song what we did find was an instrumental version on an mp3 which I believe was originally some kind of MIDI arrangement.
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The Foster song was actually about a young slave girl (and originally featured some period dialect you just couldn't perform today). Weird thing is, the Foster song "Nelly Bly" isn't about Nellie Bly in fact, Bly was a pen name given to the journalist by an editor for reasons that aren't entirely clear even now (to say nothing of the spelling discrepancy). We also included the historical song "Nelly Bly" by Stephen Foster, written in 1850. So we wrote the script and a clutch of original songs for the characters to sing. The subject was Nellie Bly, the pioneering female journalist, who is actually an interesting and sort of stranger-than-you'd-think figure. A few years ago my wife and I were casually commissioned to write a play for kids with original music (something she'd done before).